Paradox and Conformity
Works by Richard Deon
Exhibition: January 15 – February 15
Gallery Reception:January 16, 2:00-4:00 p.m.
Artist Statement:
What is the deal with these paintings?
Defacement
While fretting over delayed textbooks, my seventh grade social studies instructor unknowingly issued me a peculiar American History textbook. When I opened it, I discovered that a student from a prior generation had defaced the illustrations with a ballpoint pen. Mustaches and eyeglasses were drawn on portraits of historical figures; warplanes and speedboats were added to landscapes like the Boston Tea Party. Delighted with this unexpected comic book, I took editorial control and began extending the illustrations into the margins by adding buildings and creating new scenes–my personal Manifest Destiny. Within a few weeks, I was disciplined and issued a clean textbook, a bill, and a stern warning.
Boot Camp
The narrative of history is always being transformed. As an art student of the late 70s, I was exposed to a predominantly progressive faculty who used Marxist critical theory. Their process of deconstruction was applied to the study of American History and to the visual arts as well. I began using the process without the dogma, and realized that a partial narrative out of its original context creates a kind of social surrealism–an absurd record.
The Story Goes On
Using a based-on-precedent policy over the last 25 years, I have created a body of work much like the defaced illustrations of my formative years. Commentary is suggested; visual information is repeated; point of view is obfuscated. The resulting compositions are truly mixed messages–which speak or don’t speak–for themselves.
Gallery of Works:
Click on photo to enlarge
{artsexylightbox path=”images/community/gafa/2013/paradox/” previewWidth=”160″ previewHeight=”107″carousel=”true” carousel_visible=”3″}{/artsexylightbox}
Leave a Reply
You must be logged in to post a comment.